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Bruce Brubaker
Bruce Brubaker is an American artist, musician, concert pianist, and writer born in Iowa.
==Concepts==
Brubaker's work uses and combines Western classical music with postmodern artistic, literary, theatrical, and philosophical ideas.〔Da Costa, Damian, ("The Post-postmodern Pianist" ), ''The New York Observer'', May 5, 2009〕〔Dyer, Richard, ("New England Conservatory pianist makes a minimalist effort" ), ''Boston Globe'', October 3, 2004〕 He is associated with the recent revitalization of classical music (sometimes termed "alternative classical").〔Rinaldi, Ray Mark, ("Alt-classical" music: Pianist Bruce Brubaker performs Nico Muhly's 'Drones & Piano' at DU's Newman Center" ), ''The Denver Post'', January 18, 2013〕 He has created and performed multidisciplinary projects at the International Piano Festival La Roque d'Anthéron,〔Lamare, Didier, ("Bruce Brubaker, Glass Piano" ), "demi-cadratin", August 7, 2015〕 the Institute of Contemporary Art, Boston,〔Eichler, Jeremy, "Classical picks", ''Boston Globe'', February 2, 2007, p. D5〕 Princeton's Institute for Advanced Study,〔(program listings, 2004-2005 ), Institute for Advanced Study, Princeton〕 the Irving S. Gilmore International Keyboard Festival,〔("Commissions" ), Irving S. Gilmore Keyboard Festival〕 Columbia University,〔Griffiths, Paul, ("Music Review: One Minimalist Color After Another" ), ''The New York Times'', October 24, 1998〕 and at the Juilliard School. He is praised as a performer of music by Philip Glass;〔Kosman, Joshua, ("CD Reviews: Bruce Brubaker" ), ''San Francisco Chronicle'', September 2, 2007〕 ''The New York Times'' wrote: "Few pianists approach Philip Glass's music with the level of devotion and insight that Bruce Brubaker brings to it, precisely the reason he gets so much expressivity out of it."〔Smith, Steve, ("Modern Pieces, Classically Performed" ), ''The New York Times'', June 7, 2008〕 Brubaker has published articles about music and semiotics,〔Brubaker, Bruce, ("Time is Time: Temporal Signification in Music" ), in ''Unfolding Time: Studies in Temporality in Twentieth-Century Music'', Leuven: Leuven University Press, 2009, ISBN 9789058677358〕 and performance as research.〔(abstract of Brubaker Bruce, "Questions Not Answers: The Performer as Researcher" ), ''Dutch Journal of Music Theory (Tijdschrift voor Muziektheorie)'', XII:1, 2007〕 Brubaker advocates the treatment of written music as "text"—he has sometimes performed and recorded new music without the direct input of the composer.〔Brubaker, Bruce, ("Don't Ask" ), ArtsJournal.com, November 1, 2011〕 Brubaker has said: "The piano is a tool that can be used in different ways. Classical music can be taken as material for new art."〔Theiner, Manny, ("Under the Wire: Pianist Bruce Brubaker ranges from minimalism to Chopin" ), ''Pittsburgh City Paper'', October 22, 2009〕 Brubaker has argued that technology is returning music to a pre-composer condition, and equalizing or blurring the roles of listener, performer, and composer. In a conversation with Philip Glass in Princeton, Brubaker referred to "the demise of the composer." Brubaker said: "Now, it's becoming a little less clear who creates a work, who plays the work, and who listens to the work. Those roles used to seem to be so clear – you know, Beethoven wrote it, Brendel played it, and the audience at Carnegie heard it. But I don't think that quite works anymore."〔("Hearing and Seeing: Philip Glass speaks with Bruce Brubaker and Jon Magnussen" ), Institute for Advanced Study, Princeton〕
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